Fashion Center Building 525 Seventh Ave

RESUME

George Joseph Ranalli (1946- ) is an American modernist architect, industrial designer, curator, and forensic skillful. A native of the Bronx, New York of Italian descent, he began his career as a jazz drummer before embarking upon an architecture education. Educated at Pratt Institute Schoolhouse of Architecture (B.Arch '72) and Harvard University Graduate School of Design (M.Arch '74). For forty+ years, he has accrued experience, qualifications, honors, and awards for commercial, civic, residential and landscape architecture projects and contributions to advance both the innovations and traditions of the discipline of architecture.

He is founding main-in-charge of George Ranalli Architect, established in 1977—a full-service architecture business specializing in architectural design at every scope and scale, attuned to history and setting, His designs – recognized every bit works of art in their own right – are exhibited and nerveless, worldwide, by cultural institutions such as the Metropolitan Museum of Art, U.S. Library of Congress, and Canadian Centre for Architecture.

Education

Primary of Architecture, Harvard University, Graduate School of Design, 1974

Bachelor of Architecture, Pratt Constitute, 1972

New York Institute of Technology, 1967-68

CAREER

Founding Principal-In-Charge, George Ranalli Builder (GRA) 1361 Amsterdam Artery, Suite 340, New York, Due north.Y. 10027, 1977 – nowadays

George Ranalli DESIGNS 1985-nowadays.

Warren Gran & Associates, Brooklyn, New York, February 1975- February 1976

Max O. Urbahn and Associates, New York, N.Y., Oct 1973- February 1976

Haus-Rucker and Co., New York, North.Y., 1972

Borough

NYC Landmarks Salvation , 2012-present

U.S General Services Administration Public Building Service & Office of the Chief Builder, National Peer, 2009-15

NYC School Construction Authority, Professional Peer Review, 2010-13

New York Metropolis Community Planning Board No. 5, Bronx, North.Y., Member, 1968-70

AFFILIATIONS

Club of American Registered Architect New York Quango (SARA N.Y.) Professional Fellow member, 2016 – present

AIA New York Chapter, Professional Member, 1990-present

National Council Architectural Registration Boards, (NCARB), 1989-present

Architectural League of New York. Professional Fellow member, 1982 – nowadays

Licensed Registered Architect New York Land, 1986; Connecticut, 1993

AWARDS & HONORS

The Pulse of the City Award for Excellence, 2016, 2017, 2018, 2019

Marquis Who's Who for Professional Excellence in Compages, November. 9, 2017

American Constitute of Architects College of Fellows, 2015

Institute for Classical Architecture & Art, countdown Stanford White Honor forInstitutional, Civic and Commercial Architecture, Saratoga Avenue Customs Centre, George Ranalli Architect, 2012.READ More than

Society of American Registered Architects Due north.Y. Council (SARA – N.Y.), Design Honour for Excellence, Saratoga Avenue Community Center by George Ranalli Architect, 2012

Lodge of American Registered Architects PA Council (SARA PA), Design Award of Honor, Saratoga Avenue Community Center, 2011

New York Society of Architects, Sidney L. Strauss Award for Outstanding Achievement for the Benefit of the Architectural Profession, George Ranalli, 2010

AIA Brooklyn Chapter Award of Excellence, Saratoga Avenue Community Center, 2010

Renaissance Award, SALUDA. Center For Architecture, New York, Due north.Y., May 9, 2005

Salute to Scholars Honour in Honor of Outstanding Scholarly Achievements and Contributions to the Cosmos and Transmittal of Knowledge, City University of New York, 2003

Certificate of Recognition for the Receipts of Major Institutional Grants for Public Service, City Academy of New York, May 24, 2001

AIA Northward.Y. Affiliate Design Award, Stonington Historical Library & Archive Visitors Center, Stonington CT, 1997

AIA Due north.Y. Chapter Design Accolade, Indoor Lap Puddle Building, Cornwall, CT, 1996

AIA Northward.Y. Chapter Project Commendation, Pool & Pool Firm for C-Family, Amagansett, Due north.Y., 1996

AIA N.Y. Chapter Design Accolade Fashion Eye Building Renovation/Historic Restoration, 1994

New York Foundation for the Arts, Artist Fellowship in Architecture, 1988

Pratt Institute Schoolhouse of Architecture Certificate of Recognition for Outstanding Loyalty, Support, and Contributions, 1984

Emerging Voices: A new generation of architects in America. Architectural Leagues of New York, Mar. 16, 1982

Progressive Architecture, 27th P/A Annual Awards. Project Citation, Frehley House, Stratford, CT, Jan 1980

James Stewardson Fellowship, AIA N.Y., 1976

AIA North.Y. State, Honorable Mention, Griffiss Air Force Base Hospital, Rome, N.Y., Designer, George Ranalli. Max O. Urbahn Associates, 1974

Birch Burdette Long Memorial Drawing Contest, Honorable Mention. "Urban Images/ New York City/ An Add-on," 1974

Reynolds Aluminum Prize, Best Original Architectural Design, Harvard University GSD, 1973

Matthew Westward. del Gaudio Memorial Honor. Distinguished Total Design, Pratt Constitute School of Architecture, 1972

Pirelli Tire Competition, Honorable Mention, Harvard University, 1969

COLLECTIONS

Lock-It door lever, 1991. Accretion North° 1992.508. Material: Aluminum, 1991. Denver Art Museum, Denver Colorado.

Charm door handle, 1991. Accession North° 1992.502. Denver Museum, Denver, Colorado.

Imaginary Proposal for Times Square – Variation, colour pencil on silkscreen. Accession Northward° DR1999:0010. Canadian Eye for Architecture, Montreal, Canada.

Valentine Chair 2, 1990.Accretion N° 1990.306. Metropolitan Museum of Art, New York, Northward.Y

Valentine Chair 2, 1990,study cartoon, multiple views. Accession N° 1992.1024. MET Museum Department of Drawings and Prints, New York, N.Y.

Steel Chair Setee, 1985, Accession N° 1996.16AE. Denver Art Museum Denver, Colorado.

Sofia Drinking glass, Limited Serial, 2001;Murano glass, amethyst. La Collezione Corolle d'Autore Male monarch Congenital-In Fine art.

Lock-It door lever, 1991. Accession N° 2010.13 A-B. Indianapolis Museum Art, Indianapolis, IN.

Untitled, study drawing, 1980. Art Found of Chicago, Chicago, Illinois.

Untitled, Tribune Competition, black and white photographic print, 02/ 1980. Accession N°2002.13. Art Institute of Chicago, Chicago, Illinois.

Frank Lloyd Wright and the Living Metropolis, hypothetical architectural model, 1999. Accession Northward° MAM-0925. Vitra Design Museum, Weil am Rhein, Germany.

One thousand-Loft 1993-1995,Accession N° n2006031545. K-Loft cutaway axonometric,Accretion North° v052953.One thousand-Loft 1993-1995 plans and sections. v052954. One thousand-Loft 1993-1995 int. view, length of the loft,Accession N° v052955.K-Loft 1993-1995 int. sleeping accommodation, Accession Due north° v052956. K-Loft 1993-1995 int.: living expanse with stairs,Accession North° v052962. Prototype & Print Collection, University of Pennsylvania.

22nd Street Loft cutaway axonometric cartoon, Accession N° v052957.22nd Street Loft int. : living infinite, Accession N° v052958.22nd St. Loft, interior, Accession N° v052959.22nd Street loft program,Accretion N° v052960.22nd Street Loft int. view,Accession N° v052961. Images & Print Drove, Academy of Pennsylvania.

Unity Temple, Oak Park, Illinois past Frank Lloyd Wright, architectural model, a cutaway section of edifice/ church entry sequence,1994. Accession N° SC228. Museum of Modern Fine art, New York, North.Y.

Door Hardware, George Ranalli, views of various models with elevations and axonometric. Accession North° v052895. Image & Print Collection, University of Pennsylvania.

Frank Lloyd Wright Designs for an American Landscape 1922-1932, Perspective and Elevation cartoon, 1997. Accession Due north° DR1999:0011. Canadian Middle for Architecture, Montréal, Canada.

Analytic architectural model of Veritti House for the exhibition 'Carlo Scarpa, Architect: Intervening with History,' 1998. Accession N° DR 1999:0032. Canadian Centre for Architecture, Montréal, Canada.

Analytic architectural model of Palazzo Querini Stampalia for Carlo Scarpa, Architect: Intervening with History, 1998.Accession Northward°DR1999:0033. Canadian Center for Architecture, Montréal, Canada.

Analytic architectural model of Museo di Castelvecchio for Carlo Scarpa, Architect: Intervening with History,' 1998. Accession N° 1999:0034. Canadian Centre for Compages, Montréal, Canada.

Analytic architectural model of Canova Plaster Cast Gallery for 'Carlo Scarpa, Architect: Intervening with History, 1998,Accession N° DR199:0035. Canadian Eye for Architecture, Montréal, Canada.

Indoor Lap pool Building, Cornwall, Conn., cartoon/ photomontage of building and site, Accretion N° v053975.Indoor Lap Pool, Cornwall, Conn., estimator-generated site program, Accession North° v053976.Indoor Lap Pool, Cornwall, Conn., architectural model-iii views, Accretion N°v053977.Indoor Lap Puddle Building, flooring plan, Accession N° v053979; Indoor Lap Pool Building cutaway model, Accession Due north° v053980; Indoor Lap Pool Edifice, Cornwall, Conn., transverse section, Accession N°v053981; Indoor Lap Pool Building model cutaway, Accession Due north° v053982; Indoor Lap Pool Building, sections, elevations, plans, Accession N° v053983. Image & Print Drove, University of Pennsylvania.

Pool and Pool Business firm for "C" Family, Amagansett, New York, drawing; acme with section,Accession N° v053984.Puddle and Puddle Business firm for "C" Family unit "C, elevation with section, view from the fence, Accession N° v053985.Pool and Pool House for "C" Family, Amagansett, New York, view of pool and deck, Accession Northward° v053986.Pool and Pool Business firm for "C" Family, Amagansett, New York,Accretion Due north° v053987. Image Collection. The University of Pennsylvania.

Architectural model of Frank Lloyd Wright's Doheny Ranch Evolution, Beverly Hills, California, 1995, Accession N° DR 1995:0031. Canadian Centre for Compages, Montréal, Canada.

Architectural model of Frank Lloyd Wright's Lake Tahoe Summer Colony, California, 1995, Accretion N° 1995:0312. Canadian Eye for Architecture.

Compages model, Frank Lloyd Wright's Gordon Strong Automobile Objective, Sugarloaf Mountain, MD, 1995-96.Accretion Due north°1996:0314. Canadian Eye for Compages, Montéal, Canada

Architectural model, Frank Lloyd Wright's A.M. Johnson Desert Compound, Grapevine Coulee, California, 1995.Accession N° 1996:0313. Canadian Centre for Compages, Montréal, Canada.

Architectural model, Frank Lloyd Wright's San Marcos in the Desert Chemical compound, near Chandler, Arizona, 1995-96.Accession North° 1996:0314. Canadian Center for Architecture, Montréal, Canada.

MONOGRAPH PUBLICATIONS

George Ranalli (2015) In Situ: George Ranalli Works & Projects. Oscar Riera Ojeda Publications Limited

George Ranalli (2009) Saratoga (Unmarried Edifice Series). ORO Edition, San Rafael, California Read More.

George Ranalli (1998) CASAS Internacional No. 57: GEORGE RANALLI.Kliczkowski Publisher, Buenos Aires, Argentina

特集: ジョージ・ラナリ = Special Feature: George Ranalli Builder. (Special Feature: George Ranalli Architect). a = u (Architecture + Urbanism), Tokyo, Japan. 1990.

George Ranalli (1990) George Ranalli: Bauten und Projekte; Constructions et Projets. Zürich: Verlag für Architektur Artemis

George Ranalli (1988) George Ranalli: Buildings and Projects.Princeton Architectural Press, Princeton, Due north.J. Read More

PUBLICATIONS

"Iconic Form." Los Angeles, Calif: Southern California Constitute of Architecture (SCI-ARC), 2007

"An Uneasy Alliance: Architecture equally Fine art and Concern," in Oculus, Periodical of the AIA New York Chapter, October 2005

"The Coherence of a Quest, in Carlo Scarpa: The Consummate Works, 2001

"Carlo Scarpa, Architect: History Craft and Invention," inCarlo Scarpa, Builder: Intervening with History. The Monacelli Printing, 1999

"Elements of Architecture: Tower of Silence" in Avant-garde: Journal of Theoretical Criticism in Architecture (6), 1993

"The section in Autonomous Structure" Cambridge, Mass.: MIT Dept. of Architecture, 1992

"Getting A Handle," in Design Quarterly, Walker Art Center Publisher, No. 155, pp. twenty-23, Spring 1992

"Architecture and Didactics," pp. 10-29, in Advanced: Journal of Theoretical Criticism in Compages(v), 1991

" Autonomous Structures" Saint Louis, Mo.: Washington University, 1991

"Tower of Silence" in Oz: Journal of the College of Compages & Design, Vol.12 (1), 1990

"Autonomous Compages," in Avant-garde: Journal of Theoretical Criticism in Compages (2), Summer 1989

"Architecture and Domestic Ritual," inAvant-garde: Periodical of Theoretical Criticism in Architecture (i), Wintertime 1989

"Paul Rudolph and the Twentieth Century Motion," in Paul Rudolph: Drawings for the Art and Compages Building at Yale 1959-1963 . New Haven: Yale University School of Compages, 2000.

"Designer Profile: Gaetano Pesce,"in Interior Pattern, Feb 1987.

"Gaetano Pesce: Design & Compages 1975-1985," exhibition catalog Musée d'Art Moderne, Strasbourg, France; May 198

"Brion – Vega Cemetery by Carlo Scarpa," in Progressive Architecture, May 1981

CONTRIBUTORY PUBLICATIONS- BOOKS

Grade and Construction in Interior Architecture (Nuts Interior Architecture) 2nd Edition (2016) past Graeme Brooker & Emerge Stone, Pp. 83, 151.

thirty Years of Emerging Voices: ideas, grade, resonance (2015) The Architectural League of New York. Princeton Architectural Press, Princeton, Due north.J.

Key Interiors Since 1900(2013). Graeme Brooker, Laurence King Publishing, London, Britain., Callender School, Pp. 34-37.

Interiores esenciales desde 1900. (2013) Brooker, G., & Cano, C. R. (2013). Barcelona: Bloomsbury Publishers, London, United kingdom.

From Organisation to Decoration: An Interiors Reader (2013); Editors Graeme Brooker and Sally Stone. Routledge, London, ane edition, Pp. 42, 54-56 & fig. 2.2.ane, ii.2.2, 2.2.3 & two.ii.4.

A Jigsaw Puzzle That Sleeps 4.Constance Rosenblum, Real Estate Department, Habitats, The New York Times, January 21, 2011.

Guide To Gimmicky New York City Architecture(2011) John Colina; W. W. Norton Publishers, New York London, p. 195.

The Visual Dictionary of Interior Compages and Blueprint (2009), Michael Coates, Graeme Brooker & Emerge Rock; AVA Publishing SA, Switzerland, P. 204.

Basic Interior Architecture: Form + Structure (2007); Graeme Brooker and Sally Rock AVA Publishing SA, Switzerland. P. 149.

Contemporary World Interiors (2007) Susan Yelavich. Phaidon Printing Inc. Pp. 98-99

A Guide To Contemporary Compages in America, Vol. ii Eastern U.s.A.(2007) Masayuki Fuchigami: Toto Publisher, Japan. Pp. 98 & 234.

Streets of New York by Stanley Abercrombie. Interior Blueprint, September 1, 2007.

New York 2000: Architecture and Urbanism Between the Bicentennial and the Millennium (2006), Robert A.M. Stern, David Fishman and Jacob Tilove/The Monacelli Press, pp. 1106-1107 & p. 1190.

Modeling Messages: The Builder and the Model (2005) Karen Moon; The Monacelli Printing, p. 169

Modest Living Spaces (2004), Arian Mostaedi, Carles Broto, and Josep Ma Minguet; Gingko Press, pp. 76-81.

Buildings of Rhode Island (Buildings of the United States Serial) (2004) by William H. Jordy. Oxford University Press; Showtime Edition edition.

Colors: Architecture in Detail (2004) Oscar Riera Ojeda; Rockport Publishers Inc, pp. 74-75.

Drinking glass Architecture: The Corolle d'Autore Collection (2004) Rozzano: Milan DOMUS, pp. 122-123, 175.

Materials: Compages in Detail (2003) Oscar Riera Ojeda; Rockport Publishers Inc. pp. 36-37.

LOFTS (2003) By Giovanni Polazzi; ACTES SUD , pp. 280-295.

New York Apartments (2001) By Paco Asensio. Taschenbuch,pp. 194-199

NEW YORK: A Guide to Contempo Architecture (2001) By Susanna Sirefman. Ellipsis Publishers. pp. eight.26 – viii.27.

Manhattan Lofts (2000) By Ivor Richards; Wiley-University Publishers, pp. 26, 110-118

LOFTS: new designs for urban living (1999) by Felicia Eisenberg Molnar; Rockport Publishers, pp. x-xi.

New Houses In Old Buildings (1999) past Arian Mostaedi; Links Publishing, pp. 148-157.

Lofts(1999), Francisco Asensio Server. ARCO, Hearst, and Watson-Guptill Publishers, pp. ten-15

5000 Artists Render to Artists Space: 25 Years, (1998), Claudia Gould & Valerie Smith; The Artists Space Gallery Publication, p. 301.

LOFT (1998) Mayer Rus, Paul Warchol photography; The Monacelli Press, pp.144- 153.

The New American Apartment, xxx Case Studies (1997) Editor Oscar Riera Ojeda; Whitney Library of Design Press, pp. 192-199.

Expressive Details (1996), Duo Dickinson; McGraw-Hill Inc., pp. 54-57, 190-197.

Architectural Competitions, Volume two, 1950-today (1994) Cees de Jong, Erik Mattie, Editors, Taschen. 400 pages : illustrations (some colour), maps (some color) ; 33 cm

Architectural competitions = Architektu-Wettbewerbe = Concours d'compages, Volume 2, 1950-Today (1994) Cees de Jong, Erik Mattie, Editors, Taschen, 400 pages : illustrations (some color), maps (some colour) ; 33 cm.

Architectural Drawing Masterclass (1993), Tom Porter; Macmillan Publishing Visitor, pp. 21-26

New Modern (1995) Carla Cakewalk; PBC International Inc., pp. 14, xviii-22, 166-171.

Architecture in the 20th Century (1993) Udo Kultermann; Van Nostrand-Reinhold, p. 199.

New York Urban Residence: Observe Architecture Series No. xiii (1992); Tokyo, Japan, pp. forty-41, 95-100

Formica & Design: From the Countertop to Loftier Fine art (1991) Susan Grant Lewin; Rizzoli Publishers, p. 146.

Architectural Politics as Seen in Competitions since 1790, Volume v (1991); Kodansha Publisher, Tokyo, Japan, pp. 104-105

Graphic Pattern Techniques for Architectural Drawing (1990) Tom Porter; Amazon Publishing Ltd., p. 143

A Philosophy of Interior Design (1990) Stanley Abercrombie; Harper & Row, pp. 32, 54, 117, 160.

New York Architektur, 1970 -1990 (1989) Edited by Heinrich Klotz with Luminita Sabau, Deutsches Architekturmuseum. Prestel Verlag GmbH + Co., pp. 208-211.

Sourcebook of Contemporary North American Architecture (1989) Sylvia Hart Wright; Van Nostrand Reinhold, pp. 103-104

Interior Landscapes (1988) Georges Teyssot; Lotus Documents Publications, pp. 102-103

The Castle in the House: A Project by George Ranalli in New York by Anthony Vidler.CENTER 4: Buildings and Reality: Compages in the Historic period of Data Dec 1988; theAcademy of Texas at Austin, pp. 58-61.

Emerging Voices: a new generation of architects in America (1986); The Architectural League of New York, Princeton Architectural Press, Princeton, N.J., Pp. 22-23.

Créer dans le créé: L'compages contemporaine dans les bâtiments anciens (1989) Conseil International des Monuments et des Sites., Electa Moniteur, Paris, pp. 112-115.

Progetti Il Progetto Domestico : La casa dell'uomo archetipi e prototipi (1986) George Teysott & Triennale di Milano. Electa, Milano, pp. 48-49.

Drawing Interior Architecture (1983) Norman Diekman & John Pile; Whitney Publications, pp. 91-93.

Architecture Today (1982) by Charles Jencks. New York: H. Northward. Abrams, Pp. 102-03.

George Ranalli Architect. In Fujii, West. N. T., & Futagawa, Y. (1982). GA Houses 12. Tokyo: A. D. A. Edita.

Architectural Drawing: The Fine art and the Process (1981), [compiled past] Gerald Allen and Richard Oliver; Whitney Library of Blueprint, New York, Due north.Y., pp. 148-149

Neue Läden [New Shops] (1981) Karl & Eva Mang; Verlag Gerd Hatje, Stuttgart, pp. xx & 44-46

New Architectural Drawings (1981) Helmut Jacoby; Verlag Gerd Hatje, Stuttgart, pp. 46-47

Chicago Tribune Competition: Late Entries, Vol 2(1981) Stuart Cohen & Stanley Tigerman, editors; Rizzoli, p. 60.

(1976), William Wil son Atkin; Van Nostrand Reinhold Company, p. 131.

Decorative Art and Modern Interiors (1977) K. Schofield, Editor; Studio Vista, London, pp. 24-31.

Torso, Retentivity, and Compages(1977) Kent C. Bloomer and Charles W. Moore; Yale University Printing, p. 55.

Living In One Room(1976) Jon Naar and Molly Siple, 1976; Random House, pp26-27.

Apartment Therapy: Home Projects,Oct. 22, 2019

George Ranalli: Perspective USA. The Plan, May xvi, 2016

Home Once more: with an assist from Psychology, architect George Ranalli reinvents the renovation. By Heather Corcoran, Pp. 70-74. AN Interior (10), May i, 2018.

In Situ By George Ranalli past Rich Kraham, pp. 16-17; Chatham Press, Chatham, New York, Apr 2015

House of the Week: Condominium Unit of measurement in Former Newport School, Andy Smith; Providence Journal, September 19, 2014.

Kidtown Manhattan Wouldn't Be The Same by Joseph Giovannini; New York Times, Art & Pattern Section, Aug 22, 2014.

In Situ: George Ranalli Works & Projectsby George Ranalliby Stanley Abercrombie. Interior Design, June 2014

Rec center'south '3rd manner' in Brooklyn by David Brussat. Providence Journal , May 22, 2014

The Power of Play: Saratoga Customs Eye by Ron Nyren. p. 41; Urban Land: Journal of The Urban Land Institute Mar./April. 2012

An Oasis in Limestone and Brick: A community eye grows in Brooklyn.pastThomas Vinciguerra, pp. 30-32; Harvard Magazine, September-October 2011.

George Ranalli Builder's Brilliant Architecture Tin can Rescue Fifty-fifty Basingstoke past Simon Heffer; London Telegraph, Sept. 18, 2010.SLIDESHOW

Stealth By Designs: How the Metropolis Is Sneaking Great Trivial Buildings Into Unexpected Places by Justin Davidson, pp. 68-69; New York Magazine, November. ii, 2009.

George Ranalli by Rich Kraham. pp. xvi-17; Chatham Press. November. 2009.

A New Neighbor for a Brooklyn Housing Project by Jake Mooney. The New York Times, MARCH 27, 2009

Breaking All the Rules With New York'southward Public-Edifice Design by Ada Louise Huxtable. The Wall Street Journal, May 13, 2009.

On Violent Ground, a Impact of Beauty A Brilliant Spot in Brooklyn by William Menking, p. six; Builder's Newspaper, No. 4, March 4, 2009.

Customs Building: Saratoga Customs Center by George Ranalli Architect; Kristen Richards, ArchNewsNowsNow, Jan 2009.

The Secret Lives of Architects: The Sofia Glass by Kristin Richards, pp. 12-fourteen; Oculus, Journal of the American Establish of Architects New York Chapter, Autumn 2004.

On The Boards by C.C. Sullivan, p. 41, Compages Magazine, February 2004.

Record News, p. 36; Architectural Tape, April 2002.

I northward Brooklyn, A 'Beacon' Recalls Wright David Dunlap, p.1; New York Times: Real Estate Department, Feb 24, 2002.

Confronting All Odds: The New York City Housing Authority by Kristen Richards, pp. 12-14;Oculus: Journal of the American Institute of Architects New York Chapter, Oct 2000.

Carlo Scarpa Architect: Intervening with History. BOOKS: Architecture By Martin Filler. The New York Times. December 5, 1999

Scarpa in Montreal, pp. 33-34; The Architectural Review, October 1999.

History's Builder, pp. 148-153, 178; Art In America, October 1999.

Carlo Scarpa Architect: Intervening with History, pp. 61-62; Architectural Record, September 1999.

Time On His Side: Carlo Scarpa, pp. 171-173; Metropolis Magazine, October 1999.

The Trouble With Scarpa, pp.90-95; Compages, August 1999.

The Interventionist, pp.31-37; The New Commonwealth, August nine, 1999.

Frank Lloyd Wright: Canadian Architectural Centerby Anne Marie Garceau. Parachute: Contemporary Art Magazine January i, 1997

The Designs of a Genius Redesigning Himself By Herbert Muschamp, The New York Times, July eighteen, 1997.

Im Auge des Taifuns, pp. 140-147; Architectural Digest (Germany), June/July 1997.

George Ranalli; K-Loft in New York, pp. xl-49; Architecture + Urbanism, (A+U), no. 318, March 1997.

Angoli Protagonisti, pp. 174-179; ABITARE, No 355, October 1996.

Redefining The Loft: Interlocking forms articulate Manhattan Infinite, By Joseph Giovanni; Architectural Digest, August 1996.

Intelligent Energy, pp. 32-33; Blueprint, March 1996.

2 Pools on Long Island, pp. 10-15; DBZ (Deutsche Bauzeitschrift), March 1995.

Autonome Strukturen, pp. 85-92; DBZ (Deutsche Bauzeitschrift), December 1994.

From Programme to Detail: A Practical Theory, p. 6; NEWSLINE, Journal of Columbia University, November/December 1994.

George Ranalli Architect: Renovation of the Fashion Eye Building in New York. Domus Effect 762, pp. 44-49; July/August 1994.

Architecture, Customizing Hardware, pp. 93-99; July 1994.

George Ranalli Builder Responsible for Restoration and Renovation of Mode Center Building, 525 Seventh Avenue, New York, New York by Judith Nasati. Interior Design, Volume 65, Result 7, pp. 112-119. June 1, 1994.

Procedure: restoring plaster decoration by Judith Nasatir. Interior Blueprint, June i, 1994.

Preserving the Old with a New Twist, Oculus: Journal of the American Institute of Architects, New York Chapter, March 1994.

A Sew together In Time: renewing a swatch of urban fabric past Herbert Muschamp, p. 42; The New York Times, Arts & Leisure Section, March vi, 1994.

Projects: George Ranalli, p. 30, Progressive Compages, October 1993.

The Spirit of the Collector, p. 48; Lotus 76, 1993.

George Ranalli: Barn House and Pool House Projects, pp. 16-20, A.D. (Architectural Design), Vol. 62, no. 9/10, September/October 1992.

Maniglie di Architetti, p. 252; ABITARE 307, May 1992.

Manhattan Projections, pp. xvi-17; Building Design, March 1992.

George Ranalli Builder, pp. 196-197; Advertisement 100 Architects: Architectural Assimilate, Baronial 1991.

Barn for 'A' Family in Cherry Hook, N.Y.," pp. 12-13; Domus, No.721, November 1990.

The Loft Room: George Ranalli Architect, pp. 66-71; Lotus 66, 1990.

Take T-Foursquare, Will Travel, Avenue Magazine, pp. 93-98, November 1989; Reprinted Nihon Artery, pp. 75-84; June/July 1990.

Projects: George Ranalli Architect, pp. 128-130; Progressive Architecture, June 1990.

Go East Immature Architect, pp. 40, 42, 44; HG (House & Garden), Feb 1990.

George Ranalli: Buildings and Projects by Stanley Abercrombie, p. 154; Interior Design, November one, 1989;

George Ranalli: Buildings and Projects, p. 57; Architectural Record, September 1989;

George Ranalli: Buildings and Projects, pp. 40-41; Compages, June 1989.

Refined Inner Infinite: George Ranalli Buildings and Projects By Nancy Goldring, pp. 30-31; Edifice Design, March 10, 1989;

George Ranalli: Buildings and Projects By Paul Goldberger, Books, p. 1, New York Times, Sunday Arts & Leisure Section, January 1, 1989.

P/A Technics: The Uses of Steel, p. 102; Progressive Architecture, July 1987.

Capturing Light: George Ranalli, Architect, pp. 47-48; City, March 1987.

COMING Habitation TO A CLASSROOM: A NEW KIND OF School SPIRIT Past PATRICIA LEIGH Brownish. The New York Times. Published: September 4, 1986

Loft Furniture Design: New York George Ranalli Architect, pp. 50-55; Domus, no. 672, May 1986.

XVII Triennale di Milano,"Il Progetto Domestico, George Ranalli, Architect, p. 187; Casa Faddy, Apr 1986, p. 187; Interior Design, Apr 1986, p. 237.

New York loft: George Ranalli devises an ingenious firm within a house By Anthony Vidler.Pp. 228-233; Interior Pattern, March 1, 1986.

IN MILAN, A Await AT HOW WE LiveBy Frederika Randall. The New York Times Published, March xx, 1986

The Castle in the House: George Ranalli Architect, pp. 54-61; Lotus No. 46, 1985.

Ii MANHATTAN APARTMENTS Plow Architecture OUTSIDE IN. By Joseph Giovannini. The New York Times: Dwelling Section, April 5, 1984

Ranalli Studio, pp. 224-227; Interior Blueprint, November 1983.

La Camera Chiara, pp. 46-48; Domus, no. 643, October 1983.

Architecture: George Ranalli, pp. 44-49; Advertising: Architectural Digest (Japanese Edition), November 1983.

Architettura: George Ranalli, Comprehend and pp. 86-91; Advertizing: Architectural Digest (Italian Edition), August 1983.

Frehley House; Callender School Renovation, George Ranalli Architect, pp. 102-111; Thou.A. Houses 12: Global Compages Serial, 1982.

Internal Architecture, pp. 40-43; Domus, no. 631, September 1982.

Emerging Immature Architects: Diversity and New Directions, Cover and p. 6; New York Times: Habitation Section, September 16, 1982.

Architecture: Houses of the Time to come, p. 167; Architectural Digest, October 1982.

Geometric Progressions, pp. 212-217; Interior Design, Apr 1982.

Compages: George Ranalli, pp. 148-153; Architectural Digest, December 1981.

Una Torre nel Connecticut di George Ranalli, pp. 65-67; Gran Bazaar, July/August 1981

American Compages: Afterwards Modernism, pp. 73-78; Architecture + Urbanism (A+U), Special Issue, no. iii, 1981

Reading Architectural Writing, pp. 76-77, 88; Residential Interiors, July/Baronial 1980

Chicago Tribune Competition, p. 95; Progressive Architecture, June 1980

L'école à Yale: Le Dessin Comme Architecture, pp. 50-53; Compages Intérieure/Cree, Dec 1978/ January 1979.

Spaces for Selling. American Institute of Architects Journal, July 1978.

Commencement of August: George Ranalli, pp. 590-591; L'Architettura, No. 268, February 1978.

Start of August, George Ranalli Architect, pp. 48-53; Architecture + Urbanism (A+U), No. 11, 1977.

First of August, George Ranalli Architect, pp. 1054-1056; Baumeister, November 1977.

Un Été à New York, pp. 104-107; Architecture intérieure/Cree, May/ June 1977.

August Too: George Ranalli Architect, Cover image, pp. 120-125; Interior Blueprint, March 1977

Domus, No. 572, Immagine Interno- Esterno, pp. 32-33; July 1977.

George Ranalli/ New York Shop, pp. 553-557; A.D. (Architectural Design), vol. 47, no. 7-eight, 1977.

America Now: Drawing Towards a More Mod Architecture, pp. 411, 422, 436; Architectural Design, Profiles half dozen, June 1977.

Domus Upshot 563, October 1976, "Un Blocco Indipendente ed Abitabile."

Ranalli Studio, Random Firm "Living In One Room" Past Jon Naar & Molly Siple, p. 33.

Ii by George Ranalli, pp. 142-145; Interior Design, Jan 1976.

Griffiss Air Force Base of operations Infirmary, pp. 122-123; Architectural Tape, February 1975.

Habitat Collectif, "Projet d'habitat plurifonctionnel," p. 35; Compages d'aujourd'hui, no. 161, 1972.

EXHIBITIONS

Times Foursquare NYC Tower Site Competition. The Skyscraper Museum, New York, Due north.Y. July 2014- January 2015

Valentine two Chair."Highlights from the Modern Design Drove: 1900–Present, Part II," May 23, 2011–July 1, 2012," The Metropolitan Museum of Art. New York.

Saratoga Avenue Community Eye. "The City Nosotros Imagined, The Metropolis We Made," May viii-June 26, 2010, Architectural League of North.Y.

Valentine 2 Chair. "A Century of Design, Part IV: 1975-2000," June 25, 2001–January six, 2002." A Century of Pattern, Part IV: 1975-2000. Metropolitan Museum of Art. New York.

Yale Academy: Solo Exhibition, February 1- March v, 1999, Yale School of Architecture Gallery, New Haven, Connecticut

Steel Chair past George Ranalli.Denver Fine art Museum, Denver, Colorado, Collection of 20th Century Architecture & Design. July 1996.

Artists Space Gallery, 38 Greene Street, New York, Nov 14, 1997-Jan ten, 1998. Present TENSE: The Architecture of George Ranalli.

Canadian Eye for Architecture, Montreal, Canada; June-September 1996. Frank Lloyd Wright: Designs for an American Landscape, 1922-1932, Models, George Ranalli Architect, FLW Models Permanent Collection.

Denver Art Museum, Denver, Colo., U.S. Design: 1975-2000. February-May 2002. The bear witness traveled in 2003 to Bass Museum of Fine art, Miami; the American Arts and crafts Museum, New York City, and Memphis Brooks Museum, Tennessee.

Denver Fine art Museum, Denver, Colo. Architectural Hardware for the Union Co., Osaka, Japan, 1992, George Ranalli Architect, Permanent Collection, 20th Century Architecture & Blueprint.

Valentine 2 Chair past George Ranalli, in"From Tabular array to Tablescape,"The Metropolitan Museum of Fine art. New York. October 1990, Gallery 91.

Deutsches Architekturmuseum, Frankfurt am Chief, Deutschland, June iii-Baronial 13, 1989.New York Architektur

American Institute of Architects, St. Louis, Mo., May 1989. Five Choose Five, 1989 National Convention and Design Exposition

Dentsu Corporation, Tokyo, Japan, September-Nov 1988. New York-Tokyo, D-Space Exhibit

From Table to Tablescape, Chicago, Sick., June-August 1988. Formica Company (New Prototype, chair)

American Plant of Architects, New York Chapter, May-June 1988. 10 On 10: The Critics Choice

Créer dans le créé:L'architecture contemporaine dans les bâtiments anciens, Exposition, Centre National d'art et de Civilization Georges Pompidou, May 27 – September viii, 1986.

"Creating in the Creation: Contemporary Architecture in Ancient Buildings", May 27 to September 8, 1986, in the Eye's Information Center Pompidou. Philippe Robert and Isabelle Maheu-Viennot , Ed. CCI Information Eye, Center Pompidou, Paris, France.

"Living In A Loft" by George Ranalli. Il Progetto Domestico : la casa dell'uomo, archetipi e prototipi. XVII Triennale di Milano, Palazzo della Triennale, Milano, January 18 – March 30, 1986.

America/Europe: 10 New Chairs, Udine, Italia, May 1985. Furniture Showroom. New Prototype, chair by George Ranalli Designs.

Architectural Projects. Young-Hoffman Gallery, Chicago, Sick., October 1980.

Museum of Finnish Compages, Helsinki, Finland, August 1980. Creation and Recreation– America Draws

Museum of Gimmicky Art, Chicago, Sick., May 1980. Chicago Tribune Competition: Late Entries

Newport Art Association, Newport, R.I., March fifteen-April 13, 1980. Architectural Projects: George Ranalli.

American Architectural Alternatives, Europe 1979-1980

The Academy of North Carolina at Charlotte, Nov 1979. George Ranalli Architect.

Sperone Westwater and Fisher Gallery, New York, N.Y., October 1979. Elements of Architecture

New Americans, Rome, Italy, Summer-Fall 1979

Cooper-Hewitt National Pattern Museum, New York, Northward.Y., July 1979
Urban Open Spaces

Hudson River Museum, New York, Due north.Y., April-July 1979. Compages for Children

The Cartoon Eye & Cooper-Hewitt National Design Museum, New York, N.Y., 1977

Otis Art Institute, Los Angeles, Calif., 1977. Drawing Towards A More Modern Architecture

The Architectural League of New York, Birch Burdette Long Show,Illustrations, 1974

DIGITAL MEDIA

How NYC Could Have Looked If Some Proposals Went Ahead: From a gigantic drome in Midtown to a totem-style tower in Times Foursquare, a new project imagines what New York could accept looked like if some of the metropolis's virtually fascinating pattern proposals had been realized.By Sasha Brady Solitary Planet Posted on May twenty, 2019.

New York Amazing Mega-Monuments That Were Never Congenital Past James Roger. FOXNews, Posted May 22, 2019.

A Totem In Times Foursquare: New York as it might have looked – in pictures. The Guardian, Posted May 20, 2019

From a midtown Manhattan airport to a totem pole-fashion belfry in Times Foursquare: Fascinating illustrations show the New York landmarks that were designed but never built by Jennifer Newton. Daily Mail, Posted May 16, 2019.

Así sería Nueva York (si estas insólitas obras se hubieran construido) Cerodosbe, Posted 2019

NYC That Never Was: Alternate Plans for Times Square from 1984 MAS Competition By Benjamin Waldman. Untapped Cities, Posted Sept 09, 2014.

The Very Model of a University. By Christopher Gray. New York Times, January 9, 2014.

A|N Weblog: Quick Hits from the Architect's Paper. 2 Exhibitions Call up the Inspirational Work of Lauretta Vinciarelli. William Menking, Posted May 23, 2012.

REVIEW: Frank Lloyd Wright at the Milwaukee Art Museum. By Mary Louise Schumacher of the Journal Sentinel, Feb. 10, 2011.

Gateway: The Community Newsletter of Pratt Institute Heart ON ALUMNI, George Ranalli (B. Arch '72), Architect. Posted September 2011.

GEORGE RANALLI. Italian America, January 1, 2011.

The X Well-nigh Positive Architectural Events of 2009 By Paul Goldberger. The New Yorker, December 8, 2009.

NYSD House: George Ranalli Profile.Posted Oct 2, 2009.

Policy Changes Yield Meliorate Buildings in New York.Fast Company. Posted May thirteen, 2009.

Q & A: George Ranalli Architect. Metropolis Interview with Editor Susan Szenasy. Posted 2010.

Customs Building: Saratoga Artery Community Heart by George Ranalli : A New Community Center Re-imagines Public Architecture and What Civic Buildings Stand for." ArchNewsNow, Posted on January fourteen, 2009.

A|North Blog: Quick Hits from the Architect's Newspaper. A Brilliant SPOT IN BROOKLYN: Ranalli-designed NYCHA Add-on Raises Bar in Bedford-Stuyvesant, Brooklyn. Posted Mar 4, 2009

Empowering Architecture Slideshow – NY Times, Mar 27, 2009

Planetizen.com A New Community Centre in Brooklyn, With New Ideas: Architect. George Ranalli's New Saratoga Avenue Community Eye A

Attempts to Redefine the Form by Focusing on Permanence and Blueprint. Posted January 5, 2009.

A|N Blog: Quick Hits from the Architect's Newspaper. George Ranalli Designs. Posted September 25, 2008

George Ranalli: Lecture, Iconic Grade. Los Angeles, Calif: Southern California Institute of Compages (SCI-ARC), 2007.

A|Northward Blog: Quick Hits from the Architect's Paper. Campus Life. Posted September 21, 2005.

ON THE BOARDS, "The new New Museum by SANAA, plus public projects by Antoine Predock, Moshe Safdie, and George Ranalli." Compages: AIA Periodical, 93, two, 39, January 1, 2004.

George Ranalli Builder: Iconic Class. Lecture. Southern California Plant of Architecture. Waldorf School TV. Spider web. March 21, 2007.

Ideas for Brick Architecture: George Ranalli Architect Saratoga Avenue Community Center, New York. Posted September 30, 1999.

Design News. Door Jewels. George Ranalli Designs. Interiors Magazine, Baronial 1991.

Architecture VIEW; Taking the Pulse of New American Architecture By Paul Goldberger. The Nw York Times. Published January one, 1989

Giuseppe Zambonino Papers, Open Atelier of Pattern Lecture Series. New School Athenaeum and Special CollectionsDigital Annal, circa 1977 – 1982.

EXTERNAL LINKS

A totem in Times Square: New York as it might take looked – in pictures, The Guardian

HARVARD University GSD George Ranalli Grand.Arch '74 Featured in "Working Journal," Times Tower Project Receives International Press

The Working Journal

George Ranalli: The Programme (Public Lecture)

HOUZZ George Ranalli

George Ranalli'south Saratoga Avenue Community Center Flick Gallery

ABOUT xi Willow Street, Newport, RI

PRABOOK: George Ranalli

Indianapolis Art Museum, LOCK-Information technology lever handle, GEORGE RANALLI DESIGNS

Lock-it lever handle by George Ranalli Designs

LECTURES

1976, Apr. 7. Banks In The Urban Environment. American Found of Banking, Bridgeport Connecticut.

1976, October. 3. From Pieces to Skins. The Institute for Architectural and Urban Studies and the National Endowment for the Humanities, New York, N.Y.

1976, November. 4. George Ranalli: On the Making of Form. Rosalind Kirschner Memorial Lectures, Visual Arts Edifice, State University of New York at Purchase.

1977, Mar. 9. Constructional Coloration. School of The Arts and Architecture, Department of Architecture and Urban Design, University of California, Los Angeles.

1977, Nov. 06.Artists Postcards. Symposium participant with Roger Ferri, Susanna Torre, and Lauretta Vinciarelli. The Drawing Center,35 Wooster St., New York, Due north.Y.

1977, Dec. 15. Start of Baronial. The Open Atelier of Blueprint and Architecture, 11 Worth Street, New York, N.Y.

1978, Mar. 31. George Ranalli: Recent Works. Giles Hall, College of Architecture, Art and Design, 899 Collegeview Street, Mississippi Land University.

1979, Feb 12. Geometric Architecture. Art Forum, Dept. of Art and Design, Montclair State College of Art, Montclair University, Montclair, N.J.

1979, Aug 29. Street, Scale, and Human Domicile. The Object In Context Lecture Series, The Open Atelier of Design and Architecture, 11 Worth Street, New York.

1979, Oct. 16. George Ranalli: Contempo Work Storrs Lecture Hall & Gallery, University of North Carolina—Charlotte, 9201 University City Blvd, Charlotte, NC.

1979, November. i. Historic Preservation, Architecture, Andy Warhol, & Intangible Aura. The Open Atelier of Design and Architecture, 11 Worth Street, New York, Due north.Y.

April. 17. Architecture: The Discreet Object. W.T. Auditorium, Louisiana Technical University, School of Art and Architecture, Ruston Louisiana.

1980, Mar, 15. Architectural Works in Progress: Drawings and models.Gallery Talk, The Fine art Clan of Newport, 76 Bellevue Avenue, Newport, R.I.

1980, Mar. 31: Chicago Tribune Competition Exhibition Symposium, Graham Foundation for Advanced Studies in Fine Arts, four Westward Burton Identify, Chicago, Illinois.

1980, April. 17. The Procedure of Creating and Exploring Architectural Space Through Drawing. School of Art &Compages, Louisiana University, Ruston, Louisiana.

1980, May 7. George Ranalli: Recent Piece of work. Madlener House, Graham Foundation, 4 Due west Burton Identify, Chicago, Illinois.

1980, Oct. 31. Compages: the discrete object of desire. Architecture and Art Building, the Academy of Illinois at Chicago Circle, Chicago, Sick.

1980, Jul. xx-23.Traditional Identity: Towards an Anthropological Compages. Pacific Northwest Wagner Festival sponsored past the Department of Commerce and Economic Evolution, Seattle, WA.

1980, Nov. 12. The Eighties: Looking Backward. Open PLAN: Architecture in American Culture, The Institute for Architecture and Urban Studies and the National Endowment for the Humanities, New York, Due north.Y.

1980, Nov. 14. George Ranalli: Current Work. School of Compages, Rice University, Houston, Tx.

1980, Dec. half dozen. The Architecture of Carlo Scarpa. The Chicago Architecture Gild, (CAC), Chicago, Ill.

1981, November. 23. Architecture: The Discreet Object. Wurster Hall, Department of Architecture, College of Environmental Blueprint, University of California, Berkeley, CA

1981, Nov. 24. Compages: The Unimposing Object. Perloff Hall, Department of Architecture and Urban Blueprint, School of The Arts and Compages, University of California Los Angeles (UCLA), Santa Monica, California.

1982, Apr. 15. Cemetery In Relationship to City: Aldo Rossi: San Cataldo, Carlo Scarpa Brion Tomb. Architecture In The Public Realm Lecture Series, The Open Atelier of Design (OAD) 12 East 29^thursday Street, New York, Due north.Y.

1983, Mar. eight. Attitudes Toward History. The Cooper-Hewitt National Design Museum, The Smithsonian Establishment's National Pattern Museum, ii E91st St., New York, N.Y.

1983, Mar. nine. Carlo Scarpa, Architect. The Open Atelier of Design and Architecture, 11 Worth Street, New York, N.Y.

1984, February. vi. Carlo Scarpa, Builder. The Cooper-Hewitt National Design Museum, The Smithsonian Institution'southward National Design Museum, 2 E91st St., New York, N.Y.

1984, Apr. 26.Course, Space and Limerick: Elements of Architecture. Higgins Hall, Pratt Institute School of Architecture, Brooklyn Campus, 200 Willoughby Avenue, Brooklyn, N.Y

1984, October. 21. Grade, Space and Composition: Elements of Architecture. Schoolhouse of Architecture, University of Waterloo, 200 University Avenue West Waterloo, ON, Canada.

1984, Nov. v. Form, Space and Composition: Elements of Compages. School of Architecture, Pennsylvania Country Academy, 121 Stuckeman Family Building, Academy Park, PA.

1985, Feb. 10. George Ranalli: Recent Work. Montclair Country Academy, Higher of Art, Department of Fine art and Design, i Normal Ave., Montclair, New Jersey.

1985, Apr. 6. The Essential Wall. Auburn University Higher of Architecture, Pattern and Construction, Auburn, Alabama.

1986, January. 23.Artistic Continuum Dialogue. Schoolhouse of Fine art & Architecture, Louisiana University, Ruston, Louisiana.

1986, Feb. seven. The Power of Class. Jump '86 Lecture Serial, New Schoolhouse of Architecture & Blueprint, 1249 F St., San Diego, Ca.

1986, Aug 24. Objective Architecture: The Power of Class. Augula Magna of the PolitecnicocorsoDuca deli Abruzzi, Tourino, Italian republic.

1987, Feb, 15: On Drawing. Edwin M. Blake Memorial Lecture,Trinity College, Hartford, Conn.

1987, Mar. five. On the Making of Course. Gund Hall, Graduate Schoolhouse of Blueprint, Harvard University, Cambridge, Mass.

1987, Mar. 9. On the Making of Grade. Graduate School of Architecture, Planning and Preservation, Columbia University, 1172 Amsterdam Avenue New York, New York.

1987, Mar. 10.On the Making of Form. Trinity Higher, Hartford, Conn.

1987, Mar, 27. Identify – Center of Gimmicky Arts. Points of Divergence Symposium, Washington Academy School of Compages, St. Louis, Missouri.

1987, Apr. 12. Autonomous Structures. Graduate School of Compages & Urban Pattern, Points of Departure Lecture Series, Schoolhouse of Architecture & Urban Design, Washington University, Saint Louis, Mo.

1987, Apr. 22. On Criticism. The William B. Wiener Memorial Lecture. School of Art & Compages, Louisiana Technical University, Ruston, La.

1987, Nov. fourteen. On the Making of Form. Rosalind Kirschner Memorial Lectures in Architectural Design, Schoolhouse of Art & Design, Country University of New York at Purchase, 735 Anderson Hill Road, Purchase, N.Y.

1988, Mar. eighteen. On the Making of Form. Pence Hall, College of Design, University of Kentucky, Lexington, KY.

1988, May 7. The Poetics of Particular: The Compages of Carlo Scarpa 1902-1978. Architects Speaker Serial, Cooper Hewitt National Design Museum, New York, N.Y.

1989, May 23. Architecture: Imagination and Form. School of Architecture and Interior Design, Academy of Cincinnati, Cincinnati, OH.

1988, Sept. 12. Architecture: Imagination and Grade. The Devon Carlson Lecture, Academy of Colorado—Denver, Denver, CO.

1988, Oct. 6.George Ranalli, Architects Speaks : New York Foundations for the Arts Creative person Fellowship Lecture Series, Cooper-Hewitt Museum, The Smithsonian Institution'due south National Design Museum, New York, N.Y.

1988, Oct. sixteen. Autonomous Architecture. School of Architecture and Planning, University of Colorado, Denver, Colorado.

1988, October. 12. Architectural Imagination and Form. Yale School of Architecture, Yale University, New Haven, Conn.

1989, Oct. 14. Democratic Architecture. Syracuse University School of Architecture, 201 Slocum Hall, College Place, Syracuse, N.Y.

1988, Oct. 26. D-Space Projection. Dentsu Corporation, Tokyo, Nihon.

1988, November. 18. Architecture: Imagination and Form. Department of Architecture, Tyler School of Art, Temple University, 2001 North 13th Street, Philadelphia, PA

1989, Jan 9. The Drawings of Paul Rudolph – Dreams & Details. Steelcase Partnership, 4 Columbus Circle, New York New York, North.Y.

1989, November. 7. Autonomous Structures. Schoolhouse of Compages and Planning, The Catholic University of America, Washington D.C.

1990, Oct. 16. Autonomous Structures. The College of Architecture and Planning at the University of Colorado Denver, Denver, CO.

1990, Oct. 22. West Goes Due east: Design in Nihon, Console Discussion. Designers Saturday, A+D Building, New York, N.Y.

1990, Nov. 4. Autonomous Structures. American Academy in Rome, Italy.

1990, Nov. twenty. George Ranalli Last Remarks. ACSA Western Regional Coming together, University of Colorado, Denver, Colorado.

1990, Nov. 27. The Procedure of Design. Pratt Constitute School of Compages, 200 Willoughby Avenue, Brooklyn, N.Y.

1991, Jan. 11. Autonomous Structures. Leap Lectures, The University of Texas –Austin, School of Architecture, 310 Inner Campus Drive, B7500, Tex.

1991, Mar. 6. George Ranalli: Recent Projects. Writer Talk Series, The Municipal Art Society of New York, New York, N.Y.

1991, Mar. 14: Architecture in an Age of Uncertainty. Keynote Speaker. Washington Academy, St. Louis, Missouri.

1991, Mar. 18. Autonomous Structures. Steinberg Auditorium, School of Compages & Urban Blueprint, Washington University, Saint Louis, Mo.

1991, May 24. Myths and Realities of the Recent Past. Harvard University Graduate School of Pattern, Cambridge, Mass.

1991, April. 21. Density and the Metropolis. Graduate School of Architecture, Planning, and Preservation, Columbia University, 1172 Amsterdam Avenue New York, Due north.Y.

1991, Oct. 17. Autonomous Structures. University of Illinois at Chicago Circumvolve Campus, Chicago, Ill.

1992, Mar. 3. Autonomous Structures. New York Institute of Applied science, Former Westbury Campus, Westbury, N.Y.

1992, Mar. 4. Looping the Loop. Chicago Institute for Architecture & Urbanism, Chicago, Ill.

1992, Mar. 7. Democratic Structures. University of Southwestern Louisiana—Lafayette School of Architecture and Design, 421 Eastward Lewis Street, Lafayette, LA.

1992, Mar. 30. Section: Autonomous Structure. Massachusetts Constitute of Engineering, (MIT) Cambridge, Mass.

1992, Jul nineteen. Autonomous Structures. SCI-ARC, Los Angeles, CA.

1993, Mar. 24. The Shape of Things in the Third Millennium. The Graduate School of Fine Arts, University of Pennsylvania, Philadelphia, PA.

1993, Jul. eighteen. The Power and Influence of Designers in the Creation of the Built Environs. Graduate Schoolhouse of Pattern, Harvard University, Cambridge, Mass.

1994, February 24. George Ranalli. Southern California Plant of Architecture (SCI-ARC), Los Angeles, Calif.

1994, Mar. 20. The Shape of Things in the Third Millennium. Italian Cultural Constitute, New York, N.Y.

1994, April. 14. From Programme To Detail: A Practical Theory. College of Compages, Illinois Establish of Engineering science.

1994, Oct. 12. From Program To Detail: A Practical Theory. Yale Schoolhouse of Architecture & Environmental Design, Yale University, New Oasis, Conn.

1994, Nov. 5. From Plan to Detail: A Applied Theory. Graduate School of Architecture, Planning, and Preservation, Columbia University, 1172 Amsterdam Artery New York, N.Y.

1995, Apr. 17. Iconic Forms. Perloff Hall, Department of Architecture and Urban Design, School of The Arts and Compages, UCLA, Santa Monica, CA.

1996, Nov. xiv. From Program to Item: A Applied Theory. School of Architecture and Urban Planning, Academy of Wisconsin-Milwaukee, WI.

1997, Oct. ten. From Plan to Detail: A Practical Theory. The University of Southern California, (SCI-ARC), Los Angeles, Ca.

1999, Oct. 6. Modern Architecture: Passion for the New Age. Academy School of Architecture, Rice University, Houston, Texas.

2000, Sept. 15. Unified Bulk: Zoning for New York in the 21st Century. The Steven L. Newman Institute and Urban Consortium, New York, N.Y.

2001, Apr. xv. Architecture And Ideals: A panel word. St. James Chapel of the Cathedral Church building of St. John the Divine, New York, N.Y.

2002, Oct.20. Pieces, Layers, and Skins. Hastings Hall, School of Architecture, Pratt Institute, Brooklyn, N.Y.

2002, Feb. 8. Between Expedience and Deliberation: Decision-making for Post nine/11 New York. Sponsored by Crain's New York Business, The Steven L. Newman Real Manor Institute, 137 East 22nd Street, New York, N.Y.

2003, July. 9: The Compages School every bit Laboratory: A roundtable discussion with Stan Allen, Toshiko Mori, George Ranalli, Karen, Van Legen, Anthony Vidler, and Peter Wheelwright, Moderator. Dept. of Architecture, Interior Pattern, and Lighting, Parsons Schoolhouse of Pattern, N.Y.

2006, Mar. 16. Architecture As Icon. AIA New York Metropolis Affiliate, New York, NY.

2007, Mar. 21. Iconic Form. Southern California Establish of Compages (SCI-ARC), 960 East three^rd Street, Los Angeles, Calif.

2008, Mar. 20. Moderator, Climbing The Stairs of School Spirit. AIA New York Chapter, 536 LaGuardia Identify, New York, Northward.Y.

2008, Mar. 27.A Discussion with Amanda 1000. Burden, Chair, NYC City Planning Commission & Commissioner, NYC Department of Metropolis Planning, AIA New York, 536 LaGuardia Identify, New York, NY.

2008, Oct. 10. Iconic Grade. Alfred W. French III Lectures in Architecture, AIA Florida Chapter, Naples, Fla.

2008, Oct. 23. Andrea Palladio, Architect for the Ages. Keynote, Italian Heritage and Culture Celebration, Italian American Association (IAA), District Quango 37,125 Barclay Street, New York, Due north.Y.

2009, Feb. 12. In Situ Design: People, History, Place. Pratt Institute, Higgins Hall Auditorium, Brooklyn, N.Y.

2009, Apr. eight. In Situ Design: People, History, Place. Schoolhouse of Architecture, Pennsylvania State University, University Park, PA

2010, Apr. 22. Saratoga, In Situ Blueprint: People, History, Place. The Yale Guild of New York Urban center, Architecture Lecture Serial, fifty Vanderbilt Ave, New York, N.Y.

2010, May 1. Keynote Launch Event, J. Max Bond Heart on Pattern for the But City, New York, Due north.Y.

2012, April 9. Panel Participant, How to Reverberate? Graduate School of Compages, Planning, and Preservation, Columbia Academy, 1172 Amsterdam Artery New York, New York.

2012, Apr. twenty. Transforming The Past: A conversation with historian William J.R. Curtis. The Urban center Higher of New York, New York, Due north.Y.

2013, Apr. 12. Maintaining the Long View on Louis I. Kahn, with historian William J.R. Curtis. AIA New York City Chapter, 536 LaGuardia Place, New York, North.Y.

2014, Feb 19. In Situ Design: People, History, Place. Found for Arts and Emerging Technologies, Higher of Arts & Sciences, Schoolhouse of Compages and Planning, SUNY Buffalo, N.Y.

2014, Apr. 25-26: Lebbeus Woods: A celebration. The Cooper Union, seven Eastward 7th Street, New York, N.Y.

2014, Feb. 20. George B. Post: Building The American Gothic. Lecture & Gallery Bout, Open up Firm New York, New York, N.Y.

2014, Feb. 25. George B. Mail service: Edifice The American Gothic. New York Landmarks Conservancy, Professional Circle, New York, N.Y.

2014, Oct. 15. Building the Modern Gothic: George B. Post at Metropolis College. Bond Hall, School of Architecture, University of Notre Dame, Notre Dame, IN

2014, Nov. three.Sagrada: The Mystery of Cosmos, a Stefan Haupt documentary house. Introductory Remarks and Panel Moderator, IFC Center, 323 Sixth Avenue, New York, N.Y.

2015, Mar. 10. The Evolving Construction Marketplace. International Masonry International and International Union of Bricklayers Annual Briefing, San Diego, Ca.

2015, Jun. 25. In Situ: People, History, Identify. Perspective. Sponsored by The Plan: Architecture and Technologies In Particular and Allied Members of the AIA New York State, Waldorf, Astoria Hotel, 301 Park Avenue, New York, N.Y.

2015: Architectural Hand Drawing University of Notre Dame, Southbend, Indiana.